The cinema does not let the ghosts rest in peace: enchanted houses to enter to live | Culture

Steven Soderbergh places the spectator in the eyes of a spectrum, while the short film It is the only solution to pay the rent. Thus begins the short film co-haunting, which can be seen in Movistar Plus+. There are ghostly appearances, objects that fly, blood rises from taps … what is expected of the recognizable icons of this film subgenre, but mixed with a social turn over contemporary Spain. Or perhaps only the Gothic mansions such as those of El Orfanato, by Ja Bayona, and the others, of Alejandro Amenábar, can be possessed? In this case, the ghost even thinks about coexistence, as who has to pay the rent. It is another twist to renew the stories of ghostly households. More information in 2017, Paco Plaza raised another with Verónica, set in a floor in Vallecas. “Ghosts may also like Gotelé!” Recalls the director about the film, which mixed the Spanish black legend with adolescent identity problems. Steven Soderbergh also looks for a turn when embarking on his first ghostly film, witnessing, now in cinemas, with another original look: this time the point of view is in the eyes of the spectrum, the camera only shows what he sees that presence. Before, the Activity Paranormal saga has already used the video surveillance cameras to get out of the visual parameters. And we mix it with the knowledge of the spectator of this type of movies, which dominates its codes, ”explains Paula Sánchez Álvarez, co -director of the Short with Adrián Carande and Pepe Rico, who already works in a feature film with more characters, precariousness and problems such as ageism and the LGTBIQ+identity:“ Terror is the house of weirdos. Our conclusion is that neither after death is rest. The problems in life are transferred to the ghosts, and you continue sharing a floor. ” Immediately is not a horror movie, but of family traumas, just like the famous sixth sense, by M. Night Shyamalan. The director of Ocean’s Eleven and Erin Brockovich recognized Los Angeles Times that the elements of the spectral genre were the Trojan horse to narrate the life of a family wrapped in a period of stress. In the same way, Mike Flanagan deepened the family traumas in his new television versions of the classic ultraimited the fall of the Usher house, the curse of Bly Manor and Hill House, the latter based on Shirley Jackson’s novel and one of the most adapted to terror. Delighted by the glow Kubrick drew in hidden violence in his country and in the model family. In the first season of American Horror Story, the romantic spirit was a young man who had perpetrated a massacre in his school. TRÁILER DE ‘REPERTE’, by Steven Soderbergh n “}},” Video_agency “: fals ‘Reponce’, by Steven Soderbergh “,” Ogwidth “: 16,” ogheight “: 9}); Lucy Liu, in ‘Company. O’Hara and Lisa Kudrow, but this time the conflict is narrated from black humor, as Tim Burton did in Bitelchús. “We are looking for satire in the bleach of precariousness. They trace the origins of cinema, in 1896, with Le Manoir Du Diable de Méliès, and also inspired Walt Disney to lift one of the most popular attractions of his park, which has jumped to the cinema several times. Even Buñuel contributed his vision of Poe’s Gothic by co -writing a version of the Usher house in 1927. More information scriptwriter David Koepp, who directed the comedy. Although he wanted to seek a motivation between the spirit and the humans that sound novel: “Our spectrum helps. I have the theory that when you make a new ghost story, you have to invent a reason for people to see them. My way is through trauma. Because I, every time I experience one, I open the world more to those around me, ”I told Variety about his way of facing the nth history of appearances. The presence is not evil, but curious and shy, such as the clumsy ghosts (with a British and American version), the ghost and Mrs. Muir (1947), by Joseph L. Mankiewicz, gravel those ghosts, of Peter Jackson, or even Casper. Nor drop of the viscera of classics such as the saga in possession. New to more or less threatened genres. In fact, that previous knowledge can be of great help to take a turn from complicity, ”he describes. It is a genre, he says, that he will always speak to the viewer: “The ghosts appeal to our fear and also to hope. Because they can terrorize us, but they offer us the promise that this life is not the end. There will be those who provide comfort. ”More information about Ghost Story (2017), by David Lowery, a blanket with two eyes served to transmit warmth and terror. Because the spectral sensation is achieved with little money. Co-haunting, who put the blanket to one of its directors, was recorded in three days. “As death is tangible and simple, its fiction is easier to understand than vampires or zombies. These ghosts always convey a sense of sadness, consequences of the loss, ”recalls Sánchez. They can even sneak into such a costumbrista narratives as a still life with ghosts (2024), by Enrique Buleo. Warren are one of the most famous ghostbusters in history, and cinema. The ghosts, after all, never age. In times of success of the Podcasts of Mystery and Iker Jiménez (Berto Romero portrayed it in the series the other side), the franchise of the very classic hunting stages of Warren files will premiere its ninth film in September. And the woman in Black is the second play that remained in the West End London, from 1989 to 2023. They also transmit the same in different cultures, from the HispanoArgentina el crying (2024), by Pedro Martín-Calero, who spoke about the terror of women, to the Japanese House (1977), of Nobuhiko Obayashi, and the curse (2022), by Takashi Shimizu. What are the delighted houses still to attract us? “All houses are delighted,” Plaza recalls: “Thousands of people have lived, loved and dead in the places we inhabit. And that some of those echoes are noticeable seems reasonable. ”Your subscription is being used in another device. Do you want to add another user to your subscription? If you continue reading on this device, you cannot read in the other. Why are you seeing this? Flecha your subscription is being used on another device and you can only access the country from one device at the same time. If you want to share your account, change your subscription to the premium mode, so you can add another user. Each one will access with their own email account, which will allow you to customize your experience in the country. Do you have a company subscription? Access here to hire more accounts. In the case of not knowing who is using your account, we recommend changing your password here.If you decide to continue sharing your account, this message will be displayed on your device and in the other person who is using your account indefinitely, affecting your reading experience. You can consult here the terms and conditions of the digital subscription. On the signature Biographiase has spent years capping fires in the Social Network Team of El País and now he is dedicated to talking about cinema, series, comics and what is put in him through the Culture Section. He does not know how to ride a bicycle. Normas ›More archivated information is interested in license cinema

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