The last Borowski “crime scene” with Axel Milberg

If you experience your last working day after a long time in the same company, it is usually clear in a great clarity what relationship you have taken to your colleagues and what reputation you have acquired. For Klaus Borowski (Axel Milberg), the Kiel “Tatort” commissioner, the signs are actually favorable: In honor of him, a surprise party is scheduled, his boss Roland Schladitz (Thomas Kügel), who could always count on Borowski in his own private hardships, shook his employees around in the decorated office, and on a monitor you can see a picture Borowskis with the nice label: “Natural Born Kieler”.

So you want to celebrate a colleague in great harmlessness, who had been noticed for years through a loner and mild Renitenz, he opened a camping chair on the street in Kiel Regen and waits. If he suspects that you want to celebrate him in the police headquarters, he ignores it, but maybe he doesn’t even know how to finish what he had started in the days before. was. His mother, with whom he wanted to travel, also remained disappeared. The house in the noble district of Düsternbrook, in which mother and son live, occasionally received a visit to how Borowski found when he looks around there without a search order and is caught by his young colleagues. The fact that they do not know him, even though he has been there for so long, speaks volumes on the roof “Borowski and the head of the Medusa” is the 44th and at the same time the last episode of the “crime scene” series around the Kiel Commissioner, who has been embodied by Axel Milberg from the beginning, i.e. since 2003. Actually, he played the figure for a year longer-in 2002 Borowski performed in a series of the “steel network” series, a “non-team-capable loner”, as Milberg says: “Back then, over 20 years ago, the ‘Lonely Wolf’ was still the order of the day.” When Milberg suggested to the NDR, but again to put on a Kiel “crime scene”, the figure Borowski was conquered and quickly put it from Hanover to the fjord. The police psychologist Frieda Jung, played by Maren Eggert, played an important role in which Borowski is sent because he quickly hits an unsuccessful witness naked on the roof of a brothel – there he stays on display, publicly on the next morning: Klaus Borowski (Axel Milberg) with Frieda Jung (Maren Eggers). Janderborowski, Jung Jung, is in the first episode, a man “who does not have his own life under control, handles off -the -day offense and always judges them.” That is undoubtedly true, only that in his Kiel environment he gets it to do with an often desperate but basically loyal boss and with young that has to slow him down without taking his strengths. It is the merit of a whole series of screenwriters around Sascha Arango to present this development with a light hand and thus initiate a gentle transformation of the figure. And only when the opponents become more and more threatening, driven and hardly accessible when one of them, who kidnaps and brings Kai Korthals played by Lars Eidinger, can no longer share his life with him. He brings his cases home in the evening, she says that he won’t get rid of all the dirt with which he has to do. If that is supposed to be a request to change something, Borowski will have little response. With the still attempted apartment, the rooms then appear “too big” for them, and that, in the middle of the separation process, he says too young that he loves her, is already a lot for his circumstances. Do you actually have a friend? The suspect Robert Frost (August Diehl) .NDR/Thorsten Janderdie later investigative partners Sarah Brandt (Sibel Kekilli, since 2010) and Mila Sahin (Almila Bagriacik, since 2018) are only colleagues with whom Borowski is committed or well tolerated – the closer closeness between Borowski and Jung will no longer appear, and the Commission appears in the episode calmer, more thoughtful and melancholic. He listens to that. He, says Milberg, in the face of many screenplays in which Borowski appeared as if he could “nothing”, to make the commissioner appeared to be “slight prey for the opposite side”: “I then asked that Borowski should be able to do something.” Apparently with success. He always gets to deal with lonely, frustrated, highly dangerous men, including in the current case that is broadcast on Sunday. We experience that Robert Frost (August Diehl) right from the start as an aging mother, who is constantly humiliated for two during dinner, from his mother: “Why are you so small?”, She says, “no wonder nobody likes you”, and that it was a shame that he would never have had a friend. Cooked dinner is miserable in her eyes, and when it becomes clear that both will go on vacation together the coming day, as a spectator, in view of the idea that this toxic couple should spend even more time than anyway. Until the son takes out a steel band, strangled his mother and sets up: “I give myself such an effort,” he says, which in two ways the situation brings to the point. Half -growing daughter, but above all the disappearance of his childhood friend, while he was about to hug with her to a rock festival. Many years later he clarifies the case (“Borowski and the shadow of the moon”, 2022). With so much scarred pain, the indication of the current episode is a ray of hope: “As a guest Maren Eggert,” it says, and Frieda Jung then actually has a appearance in the travel agency, in which Borowski can be advised for the time after retirement. The seller asks what he wanted, and in his idea in which we participate, Frieda Jung appears, just as if they were never separated and wants to take a trip with him. Awakened from the daily dream, he asks the seller: “Did I say something stupid?” “No,” she replies, “on the contrary.” So you won’t really do anything about retirement? The fact that he worked in his work is not a phrase that he has adopted the cases in his own hand, and that he also connected the greatest empathy with cool research, even with the most charismatic, crowded and demanding suspect was always his capital. To provide that he saw through it in his monstrous fears and aggression. But you also notice that it’s slow enough. This also applies to his colleagues who, as they say, will miss him who could need his expertise, but who, as he are convinced, have to end. This happens in a brilliant scene that remains puzzling and dazzling: When the perpetrator Borowski asks strangely whether the commissioner actually has a friend, he replies with yes. If you may be, you stay in the dark. Whether there is a friend at all. It appears like a distant echo of an answer that the three -time antagonist Korthals once asked for the same question. Yes, he has a friend. His name is Borowski. Such a statement, terrible enough and great at the same time, you have to earn yourself as an investigator. The crime scene: Borowski and the head of Medusa runs this Sunday at 8:15 p.m. in the first.

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