Between awards and parties … Books!

We must celebrate literature, because it makes us happy even when it saddens us, and that we have tried to do a week reading and going to a few relevant acts, starting the same Monday, in which Toni Güell presented in Ona Llibres his literary debut, deserving of the Mercè Rodoreda Award: Elefants (Empúries). ” – And why do you reward it?” The first story begins, and we will only know, agree, but at least between the author and the journalist Laura Serra, some details advanced us, after the editor Jordi Rourera stressed that instead of what is usual in a first book, they are stories that look outside, towards the world, and “open a door to hope.” Read also has to do with the journalistic task of Güell, who was accompanied, among other colleagues, Antoni Bassas or economist Germà Bel. Serra stated that the author “is as talented as discreet, because he had not said before he wrote, and assumed the thesis of hope despite” that they have an apocalyptic breath “, and Güell recalled that” some of the elements that can make us have a catastrophist vision, such as genetics or social networks, can also make us think of utopia. ” In any case, he believes that if the book wants to convey an idea is that “we are able to get out of any problem or block, and that may sound dogmatic or grandiloquent to me it seems common to me.” On Tuesday, we continue prizes, the finishes, but the delivery becomes a party at the Liceu Conservatory, full of overflowing. He presented the Ana Polo gala, who first gave way to the head of socialization of the richness of the Ferrer Foundations, Estefania Rico, who made an allegation about “the ethical duty to stop wild capitalism.” Sergi Ferrer-Salat, president of the foundations, said nothing, but had a shirt explicit enough with the motto: “Tax the Rich” (put taxes in the rich). Among so many writers, editors and guests who do not fit in the chronicles-we could quote Carlos Zanón, Joan Todó, Rosa Rey, Mara Faye Lethem, Jorge Carrión, Pere Antoni Pons, Anna Guitart, Eduard Eduard Escoffet or Roser Cabré-Verdiell-were spending representatives of the jury and awarded Finestres, who gave the comic awards in Catalan to Giulia Sagramola by Cap Endavant, who was excited to talk about how she felt welcome among the community of the Barcelona cartoon – he was, for example, Jaime Martín or the winner of the previous edition, Nadia Hafid, among others -, among which her husband is also city. Uxía Larrosa could not suppress the desire to laugh by collecting the mention of young talent for detaniment, and claimed the love of the language. Yes, they have already seen it, an Italian and a Galician believe in Catalan. The projection of the video of César Aira, during the gala of the delivery of the Finestres Awards àlex Garcia the president of the jury of the narrative prize on site published in Spanish, Camila Enrich, had to give the award to the Argentine writer César Aira for in thought (Random House), but could not travel and sent a video that thanked the jury, but also the jury and libraries. The statuette, by the way, was collected by the editor Albert Puigdueta. Marina Espasa, president of the jury in Catalan, rewarded Ferran Grau by Hiperràbia (Angle), who recalled the harsh pandemic circumstances in which she began to write, with hypochondría and creative blockade. A while later, the party was still at the paral·lel 62 until the night and lengthening the morning. Jaume C. Pons Alorda and Mariana Laboreo in Espai Mallorca Andrea Martínez on Wednesday, the Espai Mallorca hosted another party, now honoring Pier Paolo Pasolini on the anniversary of his birth, sponsored by the editorial Lleonard Muntaner, who in a short time has published a handful of books (the recent empirisme Herètic and the essay Les Condres de Pasolini de Jaume C. Pons Alorda, who served as a master of ceremonies and chatted with the Marina Laboreo translator. Nor did they forget those published by the competition, nor the poems that came to Edicans Poncnes or the theater that Comanegra took or the books of L’A Agulla Daurada, which just in a few weeks publishes a new one, its first novel, translated by Jaume Creus, which has now changed the title by Xavals de Carrer – as other Pasolinian editions, was discharged. As Pons Alorda said, “despite the neo -fascists, Pasolini is still alive.” Let’s celebrate it.

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