Magdalena Fair: Indult a bull from the fifth in Castellón | Culture

From the impeccable run of the fifth, all of it Cinqueña well fulfilled, four bulls of remarkable high, the first four. A fifth with the forces to the limit and a sixth of beautiful stamp, meek of those fleeing the crutch to take refuge in tables. And the six, serious. Cárdenos in their various shades and well armed. Without exaggerations, but a lot painting. More information about those four note, the fourth sang its nobility and quality in the onslaught. “Ruiseñor” named, number 34, already left his credentials in the two rods he received. In the first he pushed the kidneys; In the second he started long and left in an imperfect puyazo. To the first crutch the bull taught its qualities. Noble, fixed on the crutch, and warm onslaught. A well -greased machine to ram, without proposing conditions and collaborating for what Antonio Ferrera arranged. The task was of great footage, with a lot of choreography, with long walks between batch and batch. Embedded to the taste of the consumer, round trip without reproaches, whom Ferrera responded with series of long and temperate crutches. Farm work, which ended up provocative as soon as people began to ask for the bull’s pardon. Ferrera returned to the load and, in an outburst, he loaded the atmosphere more with knee mills. Under a unanimous request, the president did not hesitate to take out the orange scarf. “Ruiseñor” has been the first pardoned bull in the history of the Plaza de Castellón. Ferrera wanted to give the bailiff the two symbolic ears, but the right -hander rejected them, it is not known why. From the first chapter, Ferrera found a handsome bull to which somewhat take -off. Obedient, noble, with fixedness and route, it was another jewel of the crown. The last series, with the left, more tight, turned out the best. Second and third were also bulls to take into account. Very similar behavior with which he opened a place. The first of El Fandi was another machine when it came to take the crutch. The bullfighter took advantage of each trip of the bull to spliced ​​crutch after crutch, on the air that marked the fifth but without full confidence. Third jumped another for the glory of the currency. Although he was cheerful to the horse, he got loose in the first encounter, to meet in two more. On a long trip, it was what is said to a glider when taking the crutch. Also bull of enormous fixity, always pending the red fabric that Escribano handled with ease, but in a task that was less. Also very ceremonious the right -handed Sevillian, in very strolled work. The last two bulls looked like another run. The fifth, with a good background, but with a lot of effort to stand up. Fandi prescribed effective crutches looking for people’s reaction: circular, manoletins, smiles and gestures towards the laying. But everything came with obvious lukewarm, without managing. The sixth, a beautiful painting by Toro, was loose in the first and in the second entry he started cheerful from afar. But soon he sang his condition in the crutch, and now he looked for the tables. In a clear flight of the crutch, in search of the inside, he did not leave Escribano to focus. He could never hold it and the beautiful grab was not left either. The three swords shared flags in their first shifts and did it individually in the latter. Between correct and discreet. The fifth / Ferrera, the fandi, write bulls of the fifth, impeccable of presence. Excellent the first four; The fourth ‘Nonnñor’ by name, was pardoned. Antonio Ferrera: Stock (ear); Two symbolic ears, which he rejected. He left on his shoulders through the big door. The Fandi: Stacked fall (ear); prick _ notice _ (greetings). Manuel Escribano: prick and lunge (ear); Two punctures (Siencio). Plaza de Castellón, March 23. First of the Magdalena Fair. Half entrance. (Tagstotranslate) Culture

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