Lucy Prebble, author, is an expert in addressing strong issues. He debuted at 22 with The Sugar Syndrome, comedy about eating disorders in adolescence. In 2009, Enron premiered, a satire where he addresses the collapse of this energy company, an expert in accounting juggles: today it is studied in British secondary education. In the effect (2012), which is represented in the theaters of the channel, Prebble talks about the social proscription of certain moods with which it once lived. In his words, this piece focuses on the use of pharmacopoeia to mitigate sadness, uncertainty, penalty, anguish and exhaustion, effects that would be reversed more effectively by intervening on the circumstances that cause them. More information about effect during a first phase clinical trial, while adverse effects of a new antidepressant. Tristán and Connie, its protagonists, are two voluntary experimental subjects. To him, 27, the researchers consider him as a professional in this kind of studies, since he is not the first one to reach the end of the month: he is someone curious, active and thoughtless. She, three years older, is cautious and observer. Regarding Lorna and Toby, who run the investigation, they are 50 years old. She maintains a critical distance with her work, to which he seems delivered. The performance of Elena Rivera and Itzan Escamilla, delivered in soul and body to her roles, awakens a palpablomo sympathy Eugene O’Neill on a moon for the unfortunate, prebble intertwines the background theme with an energetic love story. Tristan soon flirting with Connie: they seem antagonistic but must have complementary immune systems, due to the attraction of each other. A substantial part of this function is the game that both bring, and the organicity of its interpreters, Elena Rivera and Itzan Escamilla, delivered in soul and body to their papers. The dance with which Tristan approaches Connie and involves it is very true, and the way in which his orbits unite. The comfort with which his work is produced, always physical, denotes that the direction of Juan Carlos Fisher has led to Escamilla and Rivera rubbing without edges. Her performance arouses a palpable sympathy. After some compasses first in which the author focuses on putting information on her characters, the function is intoned. Prebble discerns with good judgment what data their creatures should share with the public and at what time they should do it: it is caught in its handling of the carpentry, but never takes things out of the credible. Regarding the mature couple, embodied with fervent determination by Alicia Borrachero and Fran Perea, she soon doubles the role of the young couple: among them there was a deep sentimental relationship, years ago. There is a symmetry, then, between clinical subjects and researchers. The public forced the actors to greet four times; In the last one, much stood up. Upon exit, the work was the issue of generalized conversation. The effect effect: Lucy Prebble. Adaptation: Romulo Assereto and Juan Carlos Fisher. Address: JC Fisher Interpreters: Alicia Borrachero, Elena Rivera, Izan Escamilla and Fran Perea. Channel theaters. Madrid. Until April 20. Vitoria, May 23. Logroño, 24. As of September: Talavera de la Reina, Santurzi, Malaga, Valencia, Torrelavega, Basauri, Zaragoza, Barakaldo … (Tagstotranslate) Culture
